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Captures The Soul Of The Logger & Decline of the Industry
Deadfall, an honest account of a changing industryAnyone wanting to research the human cost the industry extracted should start with this book. Death and disabilty rates beyond the range of nightmares were considered standard and acceptable, simply because the carnage took place outside the public view.
The hard work, honest efforts and caring that the workers brought to the job were repaid with lack of respect and now, lowering wages, no job security and disdain from the general public.
As bad as it is in Lemonds description, the list at the end of the book does not include all the co-workers of any current or former loggers that I have talked to who have read this book, nor co-workers of mine, who were killed on the job. The toll suffered by the workforce was at least equal to that suffered by the forests.
Lemonds tells the story in an even-handed, personal way through his extended family and community. This is a must-read book by any student of Northwest culture of the past century.
Sacrifices past, present and futureJim LeMonds, though not neglecting the emotional and substantive areas of contention, focuses primarily on the human contribution and in some cases sacrifices of the loggers themselves.
This book should be read by anyone with even the vaguest interest in forest management and environmental issues. Although he is from a logging family, I feel that the author has been exceedingly fair in his description of todays industry and what the future holds for this industry and more importantly for logging communities.
To me the efforts and accomplishments of the people featured in this book, and the many thousands like them, are what has made our country great. It is ironic that their contibutions and in some cases sacrifices have not received the recognition that they are rightfully due.
Buy this book, regardless of your political viewpoint on the logging industry, and celebrate the spirit that has enabled all of us to enjoy the many privledges of being Americans.


I'd like more!
The only thing better than this book is a personal tour.Reading Pat's book is like traveling along with her as she explores the Great River Road along the mighty Mississippi River. I was especially impressed with the with the book's scope and readability. Pat has included personal insights from area inhabitants, collected geographical, historical and societal information and spread it all liberally throughout the travelogue. This is one hard book to put down, and if you ever decide to visit the area you'll have plenty of reference material to use. You will feel like you know the place already, and have gotten your own t-shirt.
Jim Pankey USN (Ret.)
New guide highlights heritage, natural history of Miss River

A story of "we" against "they"One element was to exaggerate the atrocities committed, meaning that yeah, some of it happened, but not in the large scale depicted by the white leaders to drive home the point that we had to kill these unholy, ungodly, Victory culture nestled itself cozily in new visual media--the movies and television. Basically, the enemy performed some horrible atrocity on innocent whites, and it was up to the heroes to punish the enemy. The enemy would be defeated, more often than not killed, and everybody would live happily ever after. Straight and simple. It was in straight black-and-white (the issues as well as the early programs before colour TV and film came into being). Engelhardt argues that between 1945 and 1975, the ends of WW2 and Vietnam respectively, that victory culture ended The Cold War was where it all went into overdrive. The Communists were now the enemy, and that paranoid ideological struggle into the unknown carried through not only into Korea and Vietnam, but into movies, TV shows (Twilight Zone), comic books (Tales From The Crypt, MAD), and even toys (GI Joe). A new dynamic also came, of the enemy hiding behind some citadel or bunker, such as the Forbidden City or Kremlin, with only large posters of the leader representing the human face of the enemy. Thus the enemy couldn't be destroyed. Vietnam demonstrated once and for all that we were fallible, and for a while, we were in a funk. And with My Lai, WE became the massacring enemy, the Vietnamese the colonists. The concept of victory culture was turned on its head with that event. And think about it: we lost Vietnam for the same reasons the British lost the American War for Independence. History has come full circle to America. This book came out in 1995, and early on in the book, Engelhardt makes a well-worn but important point: "with the end of the Cold War and the loss of the enemy, American culture has entered a period of crisis that raises profound questions about national purpose and identity." Ponder that passage, and what's going on today in the world. The main thing to ask today is, do we really need to have an enemy and a war to unite the people together? Peace and harmony can do the same thing. We do not need victory-for-one-side culture anymore. What we need is victory-for-all culture.
Pearl Harbor gave plenty of opportunity to dehumanize the Japanese as an enemy, along with Adolf Hitler and Benito Mussolini.
The best I've found
Welcome To The Twilight Zone?In its outline, the thesis is straightforward: a long-established racially-exclusive national myth of bloody but righteous American retaliation to treacherous foes unraveled in the three decades after World War II. The new limited war strategies of the nuclear age forced awkward "containments" of this myth. The battlefields of Asia and, in particular, of Vietnam, led to "reversals," in which increasing numbers of Americans came to conclude that the familiar patterns that had helped to define national identity had been turned upside down. It is in the details of his argument that the author is at his best, making unexpected but genuine links between Mr. X (George Kennan) and Malcolm X; between the Mary Rowlandson captivity narrative of 1675 and the My Lai massacre of 1968; between the Strategic Air Command and Rod Serling; between V-for-victory signs and peace signs; between Chewbacca and Edward Teller; between Charles Manson and 1950s comic book culture.
Engelhardt brilliantly explores the complex connections between the games of American children and the broader national culture. That Engelhardt himself, born in 1944, was embedded in the post-war childhood culture is simultaneously a source of the book's greatest strengths and its greatest weaknesses. On the positive side, he draws upon autobiographical reminiscence in an understated and thoughtful manner. At times, however, he risks confusing the disillusioning of a generation (his own) with the end of what he calls "victory culture." The myth of American innocence is indeed a powerful one, but Engelhardt perhaps exaggerates its coherence and pull in the pre-December 7, 1941 world. The boundary lines of any national story are always fluid, and it was not only the Civil War that tested these boundaries in earlier eras. I also wonder whether it may be too soon to conduct post-mortems on victory culture. Engelhardt sees efforts to reinvigorate the tales of American exceptionalism in the post-Vietnam decades as tortured and ineffective. His comments about yellow ribbons, POWs, and new myths of victimization are intriguing, but my sense is that the metaphorical circling of the wagons will continue. Americans are not yet ready to see themselves as part of a vast human comedy.


Very nice.
Most Interesting Book You'll Ever Find!!
An outstanding field guide with uses, drawings and photos

A book that deserves a much wider readershipThis is a wide-ranging book that deals with many aspect of the American West in general and the desert areas in particular. Schultheis is a gifted writer, and has a knack not only for telling a good tale but also for turning a wonderful line. He is highly attuned to the remarkable and the humorous in almost every situation, and the book is a marvelous blend of the unexpected, the reflective, and the funny.
My favorite moment might be an occasion he recounts of visiting a store in Navajo territory. While in the store, an elderly Navajo stumbles up to him and says, apropos of nothing, "Hey, I hear that Elvis died," in a tone that almost suggests the Schultheis and The King were lifelong pals. After replying, that yes, Elvis had died and that he had evidently been pretty sick, the Navajo, ignoring what Schultheis had said, continues, "Yeah, Elvis and Hitler, two of your greatest leaders, dead." (I am quoting this story from memory, so don't call me to task for specific inaccuracies.)
This is a book filled with many wonderful and marvelous moments. I would heartily urge anyone with an interest in literature about the American West or the desert to read it as soon as possible.
I really liked this bookHis best tale, and the one you won't forget, is the last in order, a fictional episode during the next great Western drought, when the xerothermic climate brings disaster west of the Mississippi.
Schultheis is very readable, and each essay is thought-provoking. I predict you will enjoy this wonderful book. As the previous reviewer cautions, however, loan it out at your own risk.
Great imagery, makes you long for desert and mountain...

I've bought 5 copies
A great guide to interesting places!
Best book on the subject

Valuable ToolThis book, in combination with "Exploring the Black Hills and Badlands: A Guide for..." helped us have a better vacation than I ever expected.
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Superb travel guide

Sweet Home
A really great guide
Cheap guide by native Chicagoan

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Everyone's Milwaukee
For anyone looking to celebrate their fond memories

Even natives will love Huhti's Wisconsin
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